On the Emmaus Road
Hi Mark,
What an excellent homily! Thinking about what we were saying last night I think your piece could belong in any Christian Church - Catholic, Protestant,Orthodox, etc. Really embracing, ecumenical and thought-provoking.
If I remember rightly the Emmaus story is always the"featured" Gospel on "Low Sunday", the first one after Easter, and yeah, there's definitely this thing about knowing how the story ends up, whereas of course for the disciples on the road, blinded by that mixture of shame, guilt and fear you articulate so well, they had no idea of the depth of the encounter in front of them and it took Christ some time to gradually bring them to a state where they could recognise Him.
In part 5 of The Wasteland T.S Eliot brings in an Emmausesque motif -
Who is the third who walks always beside you?
When I count, there are only you and I together
But when I look ahead up the white road
There is always another one walking beside you
Gliding wrapt in a brown mantle, hooded
I do not know whether a man or a woman
But who is that on the other side of you?
At this stage of the poem though there is no real suggestion of resurrection and rebirth. The Emmaus theme is just one of several hints and guesses in the dark. The Wasteland, which values words over the Word, remains intact. Here's the very next stanza -
What is that sound high in the air?
Murmer of maternal lamentation
Who are those hooded hordes swarming
Over endless plains, stumbling in cracked earth
Ringed by the flat horizon only
What is the city over the mountains
Cracks and reforms and bursts in the violent air
Falling towers
Jerusalem Athens Alexandria
Vienna London
Unreal
Then comes the rain and a sudden opening onto what reality might be like at a more central region -
I have heard the key
Turn in the door and turn once only
We think of the key, each in his prison
Thinking of the key, each confirms a prison
Only at nightfall, aethereal rumours
Revive for a moment a broken Corialanus.
It's like Rembrandt's Supper at Emmaus, where he captures perfectly the moment - as you say, at thebreaking of bread - when the barriers are lifted from the disciples eyes and they recognise, know and understand. There've been spells in my life where I've felt abandoned by the Divine and chastised myself for having tried to cultivate a relationship with a bunch of gods who not only do not care but, even more annoyingly, do not give a toss either way! And then there always comes a point where the mist rises, sometimes quickly, sometimes slowly, and I recognise that there was a Presence with me all along, but in the "sturm und drang" of my mixed up whirlwind of emotions and desires I had been, like King Lear in the storm, too blind to see.
"Aslan!", says Lucy in The Voyage of the DawnTreader, "where have you been"?
"I have been her all the time Lucy, but you have just made me invisible".

What an excellent homily! Thinking about what we were saying last night I think your piece could belong in any Christian Church - Catholic, Protestant,Orthodox, etc. Really embracing, ecumenical and thought-provoking.
If I remember rightly the Emmaus story is always the"featured" Gospel on "Low Sunday", the first one after Easter, and yeah, there's definitely this thing about knowing how the story ends up, whereas of course for the disciples on the road, blinded by that mixture of shame, guilt and fear you articulate so well, they had no idea of the depth of the encounter in front of them and it took Christ some time to gradually bring them to a state where they could recognise Him.
In part 5 of The Wasteland T.S Eliot brings in an Emmausesque motif -
Who is the third who walks always beside you?
When I count, there are only you and I together
But when I look ahead up the white road
There is always another one walking beside you
Gliding wrapt in a brown mantle, hooded
I do not know whether a man or a woman
But who is that on the other side of you?
At this stage of the poem though there is no real suggestion of resurrection and rebirth. The Emmaus theme is just one of several hints and guesses in the dark. The Wasteland, which values words over the Word, remains intact. Here's the very next stanza -
What is that sound high in the air?
Murmer of maternal lamentation
Who are those hooded hordes swarming
Over endless plains, stumbling in cracked earth
Ringed by the flat horizon only
What is the city over the mountains
Cracks and reforms and bursts in the violent air
Falling towers
Jerusalem Athens Alexandria
Vienna London
Unreal
Then comes the rain and a sudden opening onto what reality might be like at a more central region -
I have heard the key
Turn in the door and turn once only
We think of the key, each in his prison
Thinking of the key, each confirms a prison
Only at nightfall, aethereal rumours
Revive for a moment a broken Corialanus.
It's like Rembrandt's Supper at Emmaus, where he captures perfectly the moment - as you say, at thebreaking of bread - when the barriers are lifted from the disciples eyes and they recognise, know and understand. There've been spells in my life where I've felt abandoned by the Divine and chastised myself for having tried to cultivate a relationship with a bunch of gods who not only do not care but, even more annoyingly, do not give a toss either way! And then there always comes a point where the mist rises, sometimes quickly, sometimes slowly, and I recognise that there was a Presence with me all along, but in the "sturm und drang" of my mixed up whirlwind of emotions and desires I had been, like King Lear in the storm, too blind to see.
"Aslan!", says Lucy in The Voyage of the DawnTreader, "where have you been"?
"I have been her all the time Lucy, but you have just made me invisible".

Rembrandt, Supper at Emmaus

